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  The Newport Folk Festival 2008 

The Newport Folk Festival 2008

by Michael Rathbun

In 1959 a handful of visionary musicians including Pete Seeger founded the Newport Folk Festival.  The list of performers reads like a historical list of the musical families of the world. Dylan, Baez, Ochs, Hammond, Hooker, Hurt, Helm, Watson, Marley, Monroe, Carter, Waters, Buffet, Wiseman... yes they are and were.. the topic of who should be there upon investigation shows that the second festival was advertised as combining Primitive and Populor.  Based on the spelling I give that one a rest. The Marley brother's summed up their view on what folk music was...“It's just like Raggae it's the people's music“.

I would like to focus on 3 sets of the two days.. They were engaging and I was honored to also photograph the performers.

 

 

First off, Jakob Dylan's set. Jakob, son of the ultimate traveling troubadour Bob Dylan has had signficant success as he mentioned in breaking away from irony that would be there every day he steps out the door.  At 38 years old the writer is just a month older than this unassuming and kind young man, so to see his set from the photographer's pit and to see his melodic songwriting and stage prescence really took hold. Backed by 2 members of Chris Robinson's New Earth Mud solo band one sees that among the children gleefully swinging in the sun and sea mist this is truly a “family“ event.

Jakob's most recent album, “Seeing Things“ is an emotional and thought out set of well written acoustic augmented songs. As he mentions, he's not one of those “the music flows through me“ kind of guys although you would think if anyone would have that it would be Jakob.  He details that he works very hard at it. My thoughts are that if you get the gift of the riff in the middle of the night and put it down, and forget you do it; if you're Keith Richards in the right cosmic space well then the light is truly Shining on you,  but great songwriting is a craft.  Wood that needs to be honed with a tool, with great intent and perseverance. The set included the beautifully melodic material from the new album, get your coffee and sit down and look at the view on a Sunday and smile at life tunes and what I would call railroad shuffle. Levon Helm would have been at home on the drums and it shows that the vine of American music is branching out and seeking it's nectar.  The distillation of their predecessors noting the best rocks to cling on.. Jakob surely has the skills and any material coming forth from this young man is to be anticipated...

Jakob Dylan's setlist, interview and full 53 minute recording of his set are on NPR below:

http://www.npr.org/templates/story/story.php?storyId=93224500

 

Next up, The Black Crowes..
In case you missed the last 18 years of the Robinson brother's music let me catch you up. After their rocketship to the front-line with their first album "Shake Your Moneymaker" they've been on the road performing well over 2000 shows globally... They have grown more than anyone could anticipate musically.. I consider them and anyone they play with a true force in music.  Their choice of material to open with at the Newport Folk Festival "Girl From The North Country" and "He Was A Friend of Mine" with the Brother's Robinson and augmentation by newly added guitarist Luther Dickinson on mandolin succinctly stated their respect for the festival and the music. Listening to it now, their set was a peak of powerful performance of the festival. Let the backdrop audio (as they allow recording soon to be added, speak for itself)... Because their music does speak for itself and has to be seen..Coming to a town near you this year... October for New England.  Frankly, I like the band too much to give an un-jaded perspective... That flew off when they knocked me out 16 years ago.. Checkem out they'll show you what live music is about..

For an idea of what it must have been like:

http://www.youtube.com/watch?v=irVi73pIRMY&feature=related

The Black Crowes setlist at the Newport Folk Festival from THE information repository for the Black Crowes - Crowesbase.com:

http://www.crowesbase.com/tapelisting.cfm?TapeID=2106


 

Richie Havens: Speaking of supposed to be there, this man is truly one of my musical greats.. A kind human being a see-er of truth since growing up the eldest of nine children in Brooklyn.. A man who steps decidedly and with true optimism of the human spirit with each step..  Speaking of spirit this man opened the Woodstock Music and Art Fair on August 15th, 1969 at 5:07 p.m. with this set:

High Flyin' Bird
I Can't Make It Any More
With a Little Help from My Friends
Strawberry Fields Forever
Hey Jude
I Had A Woman
Handsome Johnny  (marching himself off to war again M.R.)
Freedom/Sometimes I Feel Like a Motherless Child

Revisting the songs on the Woodstock Directors release pounds in the significance.

Stylistically he stands alone.. his heartfelt right hand ripping through the strings straight from his unsheltered heart. His feet pounding the stage in time. His eyes shut and searching through the darkness for truth.. Interspersed with the soulful performances of the songs he smiles at you... Joking about running through guitar picks by the gross and that his left and right ears hearing tuning arguments differently.. Frankly I believe the man's found a space of peace that we all should strive for.. Meeting the man seals the deal.. His smiles and excitement for your life and happiness is inspirational..

As he sang at Woodstock and did at this year's Newport Folk Festival...Freedom... Feeeedom... Freeeeedom!

Thank you for the honor... it truly was a dream come true...

Oh and Helm and Buffet were amazing from the water.. but's that's another story for another day..

Michael Rathbun is a free-lance music writer, photographer and recording engineer.. He can be reached at rathbun_michael@yahoo.com.   Artists are immediately welcome to the photographs for their own promotion without fee.


  •  





  •   Welcome to RECORDINGSVAULT.COM 

    Vault Flashback

    Pearl Jam - March 24th, 2006  - TD Banknorth Garden - Boston Massachusetts.

    by Michael Rathbun

     

    The circuitous ringing notes of “Release” begin and the reflective and subdued Vedder baritone greets the showers of escalating cheers that sound like the rush of water cascading down a tidal wave... Louder and louder as it approaches.. If you have never been in the darkness of a crowd of 17,000 music fanatics on the verge of tasting their musical wine you need to put this on your list . "I'll ride the wave where it takes me.. I'll hold the pain.. Release Me!" escalates Eddie Vedder. By this point the white noise of 17,000 sounds like 25,000 as the lighting grows on the band giving the crowd their first glimpse of their subculture spokesmen.  The build of "Severed Hand" smashes into the racous frenzy, scraping and complex chordal rhythms, and thundering drums that is Pearl Jam in 2006.  Their most recent release simply entitled "Pearl Jam" hit stores May 2nd of this year to solid reviews in the rock community.  A more visceral return to their foundations laid with their first release "Ten" in 1991.  The album is more polished with studio creative accessorizing, but maintains the power and mastery of their original chordal arrangements juxtaposed with the rhythmic workings of Stone Gossard and the incendiary Mike McCready on guitar.  Eddie Vedder has presented a timely framework of songs reflective of the geopolitical situation that the U.S. finds itself in. The song titles from the release that appeared in last night's set speak for themselves.  "World Wide Suicide", "Severed Hand", "A Life Wasted", "Unemployable", "Comatose", "Down", "Gone". In case you missed the last 15 years Pearl Jam has been a voice reflecting on the lunacy of politics and the downtrodden throughout their strong career.  Their respect for the blue collar and their desires for humanity to find peace are shown by their ground breaking fan club "Ten Club" , their distribution channels of their artistic endeavors and seats at their shows.. To Pearl Jam it is simple.. Don't play with those in the business that drink the money of fanaticism like blood for vampires.  Your seats go to your most senior fan club members.. If you've been in the fan club longer.. you get better seats. What could be more refreshing in the days of pre-sales on pre-sales sold to the most weathly who will not even enjoy the show as they sip their wine and wonder why the people behind them are such lunatics. (Reference Tom Petty's "The Last DJ" album for an almost cinematic set of songs detailing this modern tragedy that's replaced the "m" in ticketmaster with a "b" and some "ard"ent creativity at the end for anyone under 50).

     

    Highlights of the pounding live set included the piercing performances of "Animal", "Red Mosquito", "Even Flow" and the an anthem of the those with traumatic home lives "Why Go"(Home). This band provides catharsis for the underprivileged and challenged club. Their frustrations once locked deep within flowing out into the group engagement of live rock performance at its best. Visually you could barely keep up with who was flying where in the air, which side the guitarists were moving to and their interaction with the fans. The band mentioning and greeting the fans behind the stage, as Matt Cameron smashed explosively with flawless creative fills on the drums. This crowd was one of the best I've seen stretching their vocal chords to their limits with unrelenting enthusiasm singing word for word with each song. Vedder commented that he thought this was the best crowd of the tour, "Honest Truth" he remarked obviously struck by their enthusiasm and devotion.  The stunning encores began with at least 10,000 fans clapping together to greet the musicians back on the stage. Stools were placed on the stage and Eddie Vedder on a telecaster guitar and Jeff Ament on a stand up bass commemorated Bob Dylan's 65th Birthday with a respect soaked and optimism filled rendition of "Forever Young" . Vedder commentating that technically that makes Dylan of retirement age but "Thankfully, I don't think that's going to happen".  The traveling troubadour would have himself been truly touched.  "Masters of War" fell right in suit with the peaceful protest tone and questioning tribute to Dylan.  The band then joined in for a beautiful rendition of "Crazy Mary" with Boom Gaspar soaking the crowd with an emotionally expressive Hammond B3 solo.  The second encore was a punk powerhouse of "Spin The Black Circle", "Do The Evolution", "Whipping", "Rats" and ending with the Neil Young rock anthem "Rocking In The Free World". 

     

     

    Michael Rathbun is a free-lance music writer, photographer, and recording engineer. He can be reached at rathbun_michael@yahoo.com

    DATE CITY STATE/COUNTRY VENUE DOWNLOAD?
    2006-05-24 Boston Massachusetts TD Banknorth Garden Download
    Set 1 Release, Severed Hand, World Wide Suicide, Corduroy, Animal, Red Mosquito, Love Boat Captain, Better Man, Unemployable, Even Flow, Sad, Wishlist, Gone, Green Disease, Down, Jeremy, Life Wasted, Why Go
    Encore 1 Forever Young, Masters Of War, Crazy Mary, Inside Job, Alive
    Encore 2 Spin The Black Circle, Do The Evolution, Whipping, Rats, Comatose, Rockin' In The Free World

     

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